Futurism (Italian: Futurismo) was an artistic and social movement that originated in Italy in the early 20th century. It emphasized speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. ATTENTION: L’utilisation de tout appareil électrique doit être soumise aux precautions d’usage incluant: 1. Lire ces instructions 2. Gardez ce manuel pour de futures références.
Bewertung Das Rating "Bewertung" gibt an, ob ein Titel zu einem relativ hohen oder günstigen Preis gehandelt wird, wobei von seinem Ertragspotenzial ausgegangen wird.
Es gibt fünf Ratings, die von stark unterbewertet "Pfeil stark aufwärts" bis zu stark überbewertet "Pfeil stark abwärts" reichen. Mittelfristiger Markttrend Der "Mittelfristige Markttrend" zeigt den gegenwärtigen Trend, der positiv "Pfeil stark aufwärts" oder negativ "Pfeil stark abwärts" sein kann.
Langfristiges Wachstum Es handelt sich — als Prozentsatz ausgedrückt — um die durchschnittliche geschätzte jährliche Steigerungsrate der zukünftigen Erträge des Unternehmens, in der Regel für die nächsten zwei bis drei Jahre. Die durchschnittlichen jährlichen Wachstumsraten gelten für die Gewinne von heute bis Anzahl der Analysen 18 Starkes Analysteninteresse In den zurückliegenden sieben Wochen haben durchschnittlich 18 Analysten eine Schätzung des Gewinns pro Aktie für diesen Titel abgegeben.
Risikoanalyse Risiko Gesamt Risiko Gesamt: Die Kursentwicklung von Aktien ist grundsätzlich mit hohen Risiken behaftet und kann starken Schwankungen unterliegen — bis hin zu einem Totalverlust. Aufgrund des historischen Verhaltens werden hier die Aktien in verschiedene Risikostufen eingeteilt.
Diese Risikostufen verstehen sich ausschliesslich als relativer historischer Vergleichswert zu anderen Aktien. Es gibt drei verschiedene Risikoratings: Beide Risikowerte liegen unterhalb des Referenzwertes. Mindestens ein Risikowert liegt oberhalb des Referenzwertes, aber keiner der beiden Werte übersteigt den Durchschnitt um mehr als eine Standardabweichung. Mindestens ein Risikowert liegt um mehr als die Standardabweichung über dem Referenzwert.
Berücksichtigt werden ausschliesslich Phasen mit sich abwärts bewegenden Märkten während der letzten 52 Wochen. Je höher der Faktor ist, desto stärker waren bisher die Verluste bei negativen Börsenphasen. Bei dieser rein quantitativen Analyse sind die Gründe für Kursabschläge nicht relevant. Erleidet eine Aktie einen absoluten Kursrückgang, während Ihr Referenzindex steigt, so belastet etwas Unternehmensspezifisches den Aktienkurs, daher der Name.
Je höher der Faktor ist, umso empfindlicher hat die Aktie auf Bad News reagiert. Ein niedriger Faktor weist hingegen darauf hin, dass in der Vergangenheit wenig nervös auf Negatives zum Unternehmen reagiert wurde.
Beta 66 Geringe Anfälligkeit vs. Spatenstich für neues Werk in Shanghai — Ford schüttet Dividende aus Ford kündigt Dividende für das dritte Quartal an Ford auf verkaufen gestuft kaufen. Sie glauben, der Kurs von "Ford" wird nur moderat steigen? Erfahren Sie mehr zu Knock-Out-Zertifikaten. Ford poliert die Kasse auf. Ford senkt Einkaufskosten stärker als erwartet. Kein Interesse an Ford? GM und Ford mit "Schrott-Stauts".
Negative Analystenhaltung seit Leicht unterbewertet Auf Basis des Wachstumspotentials und anderer Messwerte erscheint die Aktie leicht unterbewertet. Lecture as part of the symposium Shadow Libraries: Frantzi Street former FIX factory. Is an archive capable to propose a different sort of art history? The launch will include keynote talks by 3 internationally esteemed speakers: Misfits, Anartists, and Remixologists' 6: The workshop will address questions related to the conservation of media art by analysing a classic work of the net art domain: The work, whose data access is based on the Google API, operates on system changes and search restrictions which Google has been practicing for years, only in a limited manner more info.
The discussion will address questions related to the conservation of media art by analysing a classic work of the net art domain: Art Research Work When do you work? What are you paid for? How do infrastructures, apparatuses, and forms of life influence our work? How do we influence them?
Who determines funding policies? Does a PhD make one happy? Who is allowed to do research? How white is your research community? Where does your work stop? What goes into your CV? Which currencies does our work circulate in? How is your enterprise doing? How many projects can one pursue at the same time? How do we change our working conditions by talking about them? Lecture performance by Cornelia Sollfrank. In her lecture, German artist Cornelia Sollfrank gave an introduction to the concept of the commons.
In the center of her deliberations is the question of what artists can contribute to digital commons. Link to vimeo at the bottom of the page.
Cornelia Sollfrank PhD is artist, researcher and university lecturer. Recurring subjects in her artistic work in and about digital media are authorship, new forms of political organization, feminism and copyright. The exhibition commons lab is an experimental setting created by German artist Cornelia Sollfrank. The gallery of Studio XX hosts an open and usable structure that makes various formats for a collective research process available.
The idea of the Commons provides the central speculative tool for the investigation of the present as well as for the creation of future scenarios. In her lecture, German artist Cornelia Sollfrank will give an introduction to the concept of the commons, however, putting an emphasis on digital commons.
In the center of her investigations is the question of what artists can contribute to digital commons. Each of the works addresses specific questions and embodies experimental and fragmentary solutions to the questions posed by neoliberal enclosures. On the occasion of our exhibition NOT FOUND at Den Frie in Copenhagen, the Danish collective Artnode is excited to present an international event focusing on historical and contemporary critical practices on the Internet with a specific attention to the gendered aspects of those practices.
Our three invited guests have all made significant contributions to the intersecting field of art, Internet and sexual politics and we very much look forward to hear them discuss their practices and their involvement with current debates and tendencies in online culture. Jacob Lillemose curator, Copenhagen. A series of multiple images, the body grasped through visual mediation of images, a variety of shared forms, the emergence of a global network This diverse selection of works, spanning all of the galleries in the newly renovated Tokyo Photographic Art Museum, will explore the festival's overarching theme: Artists in the show: Reproduction technologies have been made use of by avant-gardists, who focus on originality and authorship in their artistic practices.
Digital technology is essentially an extension of this, but conflicts have arisen with intellectual property and related systems. In February , panke.
Numerous early net art activities originated before the invention of graphic browser interfaces and mediating their innovative power has become increasingly difficult. Historical revision of the genre is lacking and many works have either disappeared from the Internet or become obsolete. The project initiates a series of exhibitions, talks, and lectures, taking first steps towards an evaluation and contextualization of 90s net art works for the long term.
The exhibition is accompanied by a series of workshops, lectures, and salons. Women in the Field of Digital Art On the occasion of the touring exhibition Technology is Not Neutral, this symposium addresses the causes and effects of the ongoing under-representation of the achievements of women in the field of digital art, and opens up a space for challenging the status quo and the presumptions on which the history of digital art is written.
Under the title Cultural Heritage: Reuse, Remake, Reimagine it will "showcase the myriad ways that cultural heritage can be used and enriched through new technologies, innovation and the ingenuity of the creative industries.
Taipeh Digital Arts Festival The workshop Preserving and Distributing Knowledge as Artistic Practice will focus on two collaborative artist archives as a way to preserve and disseminate knowledge. Filmed interviews from the GWYDH project will be the basis for approaching the projects and discussing the various aspects they represent.
Taipeh Digital Arts Festival. In her lecture Creating Commons German artist Cornelia Sollfrank will give a basic introduction to the concept of the commons, however, putting an emphasis on digital commons. The lecture will introduce and discuss specific examples and contextualize them within larger social movements.
Circulating Knowledge — Collaborative archives in digital and local communities. Metrozones — Center for Urban Affairs. In ihrem Vortrag am The Tyranny of Structurelessness The goal of this Panic Room session is to explore the basis on which technological solutions, in the broadest sense of the phrase, are applied to complex political and cultural processes such as border, migration, and crisis management as well as identity politics.
Excessive Research presents a stream of interventions based on a workshop that took place in November , the outcomes of which are included in a peer-reviewed newspaper and online academic journal www. This book includes my text "Nothing New Needs to be Created. Kenneth Goldsmith's Claim to Uncreativity. Together with actors from the Basel Theatre, net art pioneer Cornelia Sollfrank provides insight into the community of hackers with her text performance The Artist as Hacker as Artist.
Mathias Jud and Christoph Wachter give an introduction to free networks and animate the audience to hack with them. Gordan Savicic, Selena Savic and Philip Lammer contribute a mysterious light installation which reminds us of the uncanny aspects of technology. In ihrer Auseinandersetzung mit einem länger zurückliegenden künstlerischen Projekt, versucht die Künstlerin Cornelia Sollfrank eine Art Aufarbeitung ihrer eigenen Vergangenheit.
Her main field of interest is trauma and the inheritance of post-traumatic memory. Artistic Research Forum ARF was established by the Norwegian Artistic Research Programme as a yearly conference to promote the understanding of artistic research in a national and international perspective. This year the forum will have 20 parallel sessions with presentations of research fellowship projects and projects financed by the Project Programme. Program Artistic Research Forum Friday, 18th of September , 4 PM.
In recent years the concept of the commons has won broad appeal. One of the reasons for reviving this alternative economic model in manifold social contexts was its success in the realm of digital culture. Free software and collaborative platforms such as Wikipedia have shown its contemporaneity as well as sustainability, and inspired experimentation with various new forms of sharing and collaboration.
As part of her practice-research, Cornelia has identified and mapped various art projects whose aim is to contribute to the production and preservation of the commons over recent years. She has conducted interviews with the artists involved in which they describe their work, talk about their motivation, and explain how they see their projects related to the art field.
Hanne Seitz FH Potsdam. Die bildenden Künstlerinnen Ulrike Möntmann und Cornelia Sollfrank, die selbst längjährige Erfahrung im Bereich künstlerischer Forschung auch im institutionellen Kontext haben, diskutieren auf dieser Grundlage und anhand eigener Projekte über mögliche Formen der Wissensproduktion, gehen der Methodenfrage als kreativen Kern der künstlerischen Forschung nach und verorten sie als subversive und institutionskritische Praxis am Beispiel ihrer eigenen Arbeit.
For description of workshop pls. Within the framework of an international activist day on Saturday 23 May in memory of Sabeen Mahmud who has been shot in Pakistan on 24 April , we are holding a Queer Feminist Hack-a-thon in Dundee. No preparation required, but bring your computer! The FemHack will focus on doing just that: To start this process of liberating ourselves from patriarchal technologies, we will need to push a bit more the boundaries of technologies.
Academy of Media Arts Cologne. For hackers, makers and artists. Opens on 15 May with a keynote by net-art pioneer Cornelia Sollfrank: After that two days full of workshops, talks, installations and a gameshow.
Full program see chaos. Lunch Bytes examines the consequences of the increasing ubiquity of digital technologues in the art world by addressing the role of the internet in artistic practice from a wide range of perspectives. The series consists of events , each dedicated to a different topic and bringing together artists, media scholars, designers, curators and intellectuals. The conference marks the conclusion of the discussion series. Evans, Cornelia Sollfrank and others.
Conference website with full programme. Ziel der Tagung ist es, die Begriffe Kunst, Forschung und Wissen, die in den letzten Jahren in akademischen, künstlerischen und verwaltungstechnischen Diskursen oft in Zusammenhang gebracht werden, in ihrem Verhältnis einer genaueren Prüfung zu unterziehen.
Discussion on educational issues based on personal experience in various locations. Cornelia Sollfrank hosts a panel discussion on Art in the Age of Networks. The panel will introduce a variety of artistic strategies for dealing with the cultural, social and technological conditions of the networked society.
Sunday 2 November, 4pm-7pm Exhibition continues: Friday 6 March Mon-Fri, 10am-4pm Hannah Maclure Centre, 1 - 3 Bell Street, DD1 1HP Dundee The exhibition, named after Ada Lovelace, who is credited as being the first computer programmer, acknowledges the role of women, past and present working at the forefront of art and technology.
Pixels, compression, malleability of photographic objects and 3D renderings are some of the technological development artists have embraced to creatively experiment with the possibilities of the medium.
In responding to the central role science and technological research plays in contemporary culture they have driven innovative processes and techniques, pushing the boundaries of art.
This new book " Generation Remix " has just been published 12 August by Berlin-based organisation iRights, namely Valie Djordjevic and Leonhard Dobusch and it contains - amongst many other interesting texts and interviews — my text 'Originale und andere unethische Autorenschaften in der Kunst' Originals and other unethical forms of authorship in the arts. Further information and order here. As online platforms increasingly dominate publishing, distribution and research, what impact does this have on theory?
A debate on how theory changes within the digital landscape featuring critical theorist Gary Hall and artist and theorist Cornelia Sollfrank.
This machine treats the contents at hand and produces a new performance. Bergen Academy of Fine Art, Rom8. Rom8 is a conduit for development, discussion and presentation of artistic research at Bergen Academy of Art and Design. All texts available online. Das Gros der Kunstschaffenden konnte es sich lange leisten, sich nur am Rande mit dem Urheberrecht zu beschäftigen.
Dennoch, das Thema ist auch im Kunstbereich virulent, wenn auch vielleicht subtiler als anderswo. Drei Probleme stechen hervor: This day symposium will explore and expand on the issues contained within the newly launched Leonardo Online Special Issue titled Without Sin: Freedom and Taboo in Digital Media. This will be done in different thematic groups dealing with topics, like Mesh Media! Copyright-Monster, politische Piraten und ratlose Genies.
Warum Netzkultur und Kunst nicht zusammenpassen. The speakers will explore the political and social implications of cultural piracy through examples from The Piracy Project collection. It features interviews with individuals Kenneth Goldsmith, Marcell Mars, Sean Dockray, Dmitry Kleiner, discussing with Sollfrank their projects and ideas on peer-to-peer production and distribution as art practice.
It includes the projects ubu. Online performance session based on an excerpt from A Hacker Manifesto [version 4. Drawing in equal measure on Guy Debord and Gilles Deleuze, A Hacker Manifesto offers a systematic restatement of Marxist thought for the age of cyberspace and globalization.
In the widespread revolt against commodified information, McKenzie Wark sees a utopian promise, beyond the property form, and a new progressive class, the hacker class, who voice a shared interest in a new information commons.
Platform Politics , eds. On its route through Europe this temporary archive will continue to expand through local research and cooperation with art academies and universities.
The web page is designed as a research tool providing information about all artists and activities in short summaries, pictures, texts and tags. It will continue to grow in sync with the ongoing exhibition and archive programme. The workshop will be based on a format developed by the MetafluxLab: For further information pls. Aktuelle feministische Perspektiven im Rahmen von: Cornelia Sollfrank wrote a review of an event she attended at documenta It's about the online archive in progress of the work of Finnish media art pioneer Errki Kurenniemi published in the German weekly newspaper Der Freitag, partner of The Guardian: Video Vortex Festival 9.
The symposium is designed to help artists improve their knowledge of legal frameworks and to offer jurists insight into artistic practice. It provides the opportunity to discuss the above-mentioned crucial issues, such as the legal limits of artistic expression, the dangers of derivative work, and the moral rights of the author.
The audience is strongly invited to participate in the discussion. An Activity Space for educational and research activities in the form of workshops, screenings and presentations will allow the audience to further engage in current questions on performance art and feminism.
For further details and confirmed dates please visit http: The exhibition "Sound Art. Sound as a Medium of Art" presents for the first time the development of sound art in the 21th century. However, focus is placed on contemporary practices: The sound world visualizes its own exhibition architecture, and the exhibition visitor himself becomes the generator of sounds.
Curated by Peter Weibel and Julia Gerlach. Ringvorlesung "Wie Neues entsteht. The exhibition is supplemented by objects and everyday items from Jugendkulturarchiv Frankfurt and a focus on young art from Vienna incl. The exhibition includes the video Le chien ne va plus by Cornelia Sollfrank.
The research training module 'interview' gives an overview of the different uses of interview techniques and designs, depending on the particular contexts. The focus will be on the possible uses of the interview format within the art research context.
The participants are asked to bring along their own interviews or prepare relevant material that can be discussed and further developed within the workshop. Knowledge Leaks offers research training modules specializing in the needs of art and design researchers.
Each of the two-day workshops is run by at least two experienced professionals of different disciplinary backgrounds, and focuses on a different subject matter, starting with a general overview of research methods. Cornelia Sollfrank artist , Dr. Kathrin Wildner urban ethnographer. The mobile archive will be on show from 5 May — 26 May and is accompanied by discursive programmes that foreground and incite local research on the history of performance art in Croatia.
For further details and confirmed dates please visit our website: Academy of Fine Arts, Barcelona. Wednesday, 1 February , 5pm. The thesis is the outcome of a practice-led interdisciplinary research that was conducted as a response to an act of copyright-related censorship.
Open Media Research Seminars, Series 4. The research exposition accompanies the defence of the PhD thesis "Performing the Paradoxes of Intellectual Property" submitted in November for the fulfilment of the requirements of the degree of doctor of philosophy. Prior to the workshop, selected participants will upload and comment papers openly on a blog. The outcome of the process will be published in a transmediale thematic publication and presented as part of the programme of the festival in Netherland's Media Art Institute , Amsterdam.
The artists in this exhibition highlight the imperfections of our surroundings and daily lives. Wednesday, 14 September , 12 - 2 pm. Kicking off the series is an event centered on questions about copyright and authorship. Is it an outdated legal construct that cannot adequately deal with the internet as a playground of free floating artistic content?
At the bottom of the article, feel free to list any sources that support your changes, so that we can fully understand their context. In Liechtenstein , an application to legalize abortions was rejected by a slim majority in a referendum in
Historical revision of the genre is lacking and many works have either disappeared from the Internet or become obsolete.